BASED UPON THE #TRASHART MOVEMENT AESTHETIC, THIS GENERATIVE DROP EXPLORES ROBNESS' PAST TWO YEARS OF A CRYPTOARTIST AND SOME SPEEDBUMPS HE EXPERIENCED ALONG THE WAY. DURING THE ONSET OF THE GALLERY PHASE OF CRYPTOART IN 2019, ROBNESS WAS KEEN ON USING PHOTOMOSH.COM AS AN EARLY DIGITAL PAINTBRUSH IN HIS TOOLBELT AND USED IT AS A GLITCH EFFECT ON HIS PIECES. WHEN PEOPLE IN THE CRYPTOART SPACE FOUND OUT HIS METHODS, THEY BEGAN TO CHASTISE IT AND CALL IT WORKS OF TRASH. AMUSED BY IT HE BEGAN TO WEAR IT AS A COMPLIMENT AND NAMED THE WORKS AS TRASH ART AS A BADGE OF HONOR.

AFTER BEING REMOVED FROM SUPERRARE FOR HIS INFAMOUS '64 GALLON TOTER' WHICH INHERENTLY CAUSED THE #TRASHART MOVEMENT TO BEGIN, ROBNESS BEGAN FIGHTING FOR WHAT HE THOUGHT WAS RIGHT FOR ABOUT TWO YEARS. RIGHT BEFORE CHRISTMAS IN THE YEAR 2021, SUPERRARE FINALLY ACKNOWLEDGED AND REINSTATED THE TOTER RECOGNIZING THAT IT WAS AND IS A TRUE CRYPTOART PIECE. THIS PROJECT IS DEDICATED TO ETHOS OF REMIXING, CREATIVE COMMONS AND SATOSHI'S ORIGINAL INTENT OF BITCOIN BEING OPEN AND FREE TO COPY.

FEEL FREE TO MINT AS MANY REMIXES OF THE GIVEN PIECE AS YOU WISH, THERE IS NO RARITY COUNTS JUST WHAT THE SECONDARY MARKET DEEMS AS VALUABLE AESTHETICALLY(WHICH IS HOW ART SHOULD AND ALWAYS BE). GOOD LUCK AND THANKS FOR ALL THE SUPPORT CRYPTOART FAM!

XOXO! - ROBNESS V2